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The Brood (Blu Ray)

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9 Reviews
  • intriguing and bizarre
  • Well made
  • Horror
  • Not as much fear as we experted from the movie
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    9 Reviews
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      10.02.2017 11:06
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      • "Horror scene "

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      • "Not as much fear as we experted from the movie"

      Bloody and twisted from body-horror master David Cronenberg

      The first time I say this I was 10 years old. It was late at night on HBO. The violence gripped me. Little blonde girls bundled up in coats still unnerve me. I got a chance to see this movie again awhile back as an adult. The violence is still raw. The pacing was on par with horror movies of the late 70's. Put all in all, the movie is not a waste of time. Keep in mind the studios were cranking this movies out, cause they didn't cost much to make. So the would be rushed and/or ran out of money to really flesh the story out.

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      22.08.2016 22:52
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      sdsds

      David Cronenberg. Hearing that name, it suddenly occurred to ME directly poster moving-picture show japanese guarantees. Why ought to the moving-picture show? as a result of that is the solely movie he's acquainted to ME, even supposing i personally had not had time to look at it (I'm not kidding). Anyway, cool posters, and so his image continues to be embedded in my mind. Okay, i one
      When used as a pronoun, it must be used consistently: One must manage one's money

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      25.06.2015 23:30
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      • "Highly recommended "

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      recommended.

      David Cronenberg. Hearing that name, it suddenly occurred to ME directly poster moving-picture show japanese guarantees. Why ought to the moving-picture show? as a result of that is the solely movie he's acquainted to ME, even supposing i personally had not had time to look at it (I'm not kidding). Anyway, cool posters, and so his image continues to be embedded in my mind. Okay, i one
      When used as a pronoun, it must be used consistently: One must manage one's money carefully.">one will save me!")">will be able to not more discuss the film, however Cronenberg's add the first a part of his career. Cronenberg is understood mutually of the administrators manufacturing films that have a biological term body horror or horror. because the name implies, this kind of moving-picture show puts the body (human) because the trigger feel of horror. Viruses, mutation, till the giving birth of abnormal limbs square measure some samples of the problems raised during a body horror.

      Overview of the premise, The Brood seems like a horror moving-picture show that place the figure of alittle kid as a spreader of terror. Enough with the premise like that, i used to be at once curious about uptake this film. for a few reason, horror movies with evil theme or disturbed kid because the kid includes a special attraction on behalf of me. The Omen and Orphan square measure two samples of films that provide the theme and managed to draw in my attention. Even rotten moving-picture show known as Case thirty-nine feels quite fun due to a slick performance Jodelle Ferland-the solely player with the foremost convincing acting there

      As a horror moving-picture show, I admit this film managed to deliver effectively eerie aura. Some scenes might build my hair stand on, particularly towards the top of the moving-picture show scenes were quite astonishing. It's one in every of the simplest "what the fuck moments" I've ever seen. What scene? i am not aiming to sell out spoilers, thanks. Feel the horror that's progressively punctuated with music score Howard Shore recorded the Oscar-winning musician through his extraordinary add the triplet The Lord Of The Rings. The Brood be the start of sustained cooperation between Howard Shore with David Cronenberg.

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      24.04.2015 06:33
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      • "KILLER RAGE"

      Not good at all.

      "I bambini ci guardano..." The concentrated preface establishes the framework for the shocking joke on Seventies psychobabble, with remedial pretending on an obscured stage summoning the Bergman of Face to Face until an emission of skin bubbles all of a sudden uncovers David Cronenberg's hand. "This is your main event to me inside," sobs the patient to the scowling investigator (Oliver Reed), whose studies in "psychoplasmics" pronounce to purify the mind's injuries through physical removal. (The Shape of Rage is the title of the Lacanian devout cleric's statement.) Deep in the foundation abides his pet trial (Samantha Eggar), shaking with smothered passionate rankles; her stoped up fury whelps gigantic animals who do her intuitive offering, and soon her offended spouse (Art Hindle) and small girl (Cindy Hinds) are encompassed by cudgeled bodies. "Terrible and fucked-up mamas," horrifying and enchanting, are the heart of this fantastic tale of repugnance, shot by Cronenberg with freezing eagerness amidst his own particular separation and youngster authority nerves. Shedding the grindhouse skin of the early movies for a cool-clinical sheen, it uncovers the disfigured emotions of connections raised on circles of torment while finding a wounded new poise in the characters got in them. (Hitchcock's overhead "blame edge" is utilized to examine a weak paterfamilias stroking the chalk diagram where his wife's body once was, an influencing illustration of the chief's combination of the theoretical and the instinctive.) Robert A. Silverman's sprightly turn as a pupil nursing a resplendent carcinogenic development behind his ascot ("I have a little insurgency staring me in the face"), splotches of milk and blood on the kitchen floor (cf. Cohen's It's Alive!), the parka-clad little persons from Don't Look Now, an entire ward of them. Most importantly, there's Eggar's bravura authority "amidst an abnormal enterprise," her look shuddering disobediently as she lifts her robes to uncover an actually meandering womb, one of Cronenberg's most exceptional dreams. Zulawski in Possession gets the line of thought and floors the gas pedal. With Henry Beckman, Nuala Fitzgerald, Susan Hogan, and Gary McKeehan.

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      02.04.2015 18:30
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      • "Bad one"

      Not good

      Now here's a very nasty very little range. "The Brood" is AN el sleazo exploitation film, unseeable by the presence of many well-known stars however sure to nauseate you all an equivalent.

      That's once it bores you initially. It's a couple of somebody UN agency could or might not be mad, and UN agency runs one thing known as the Institute for Psycho-Plasmics, and a few of whose patients have the endowment of making clones of children then dominant them with wild mind power.

      The clones square measure gestated in wombs outside the body, and that they {have no|haven't ANy|don't have any} navels-which is often an forbidding sign on enterprises of this nature. the great doctor's institute (which somehow unbroken reminding ME of Mel Brooks' Institute for the terribly, terribly Nervous) is run as a form of cult, with all the patients competitive for roles within the communal psychodramas. Meanwhile, the clones square measure hidden away whereas the doctor tries to choose if he is about to get the laurels or solely a subpoena.

      The doctor is vie by King Oliver Reed, UN agency is extremely sensible at protrusive a way of evil menace. His prize patient is vie by Samantha lasiocampid moth, UN agency should have browse the script initial, I suppose, and nonetheless accepted it anyway, even if the film's last moments have her snarling, licking up blood and otherwise seriously undermining her exciting image. Do performers typically feel it's noble to require monstrously unpleasant roles?

      The movie, i discussed, is a bore. that is as a result of hardly something of interest happens till the last quarter-hour close to. Eggar's husband is critical the institute, thinks she's being unbroken a captive there, rants and raves lots and at last breaks in. however otherwise there is simply lots of coming back and going and musing, because the music on the sound track hints in darkness at the terrible things to come back.

      The little clones appear style of ripped removed from "Don't Look currently," that had a killer midget in an exceedingly red coat. "The Brood" disguises its killers as first-graders. They wear snowsuits and mingle with youngsters their height, and do rattling things like hammer schoolteachers to death with toy hammers. Samantha lasiocampid moth contains a human female offspring who's kidnaped by the clones, perhaps as a result of she's their sister, sort of. King Oliver Reed remains impassive to demands that he interrupts his analysis, and nonetheless at the tip he seems to be regarding as ignorant regarding what is been happening as anyone else.

      What's the purpose of this film (other than to function a diminution, of course)? I dunno. It's ne'er very shuddery. It's disgustful in ways in which don't seem to be entertaining; as opposed, as an example, to the good disgustful moments in "Alien" or "Dawn of the Dead" (1979).

      It's ne'er very a mystery heroic tale, as a result of we tend to guess what is going on to happen before the characters do. it's enough dialog to sound as if it takes itself seriously - however hear the dialog, and it's nonsense. The pacing is thus unsure that we do not perpetually knowledge we're speculated to feel. and therefore the last grotesque moments appear additional sort of a geek show than a moving-picture show. square measure there very people that wish to check criminal trash like this? i suppose thus. It's in its second week.

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      04.03.2015 03:16

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      Its a classic movie, if you like buy it!

      Arguably the best and most personal of director David Cronenberg's early films, The Brood is an extremely unsettling horror film about familial disintegration and emotional trauma taken to a monstrous extreme. Art Hindle (Black Christmas) stars as a man embroiled in a bitter custody struggle with his estranged wife (Samantha Eggar), who is undergoing therapy at psychiatrist Oliver Reed's controversial institute. Reed's treatment causes his patients to give form to their inner conflicts, and Eggar--whose psyche is at the boiling point from childhood abuse as well as the custody trial--creates a horde of homicidal humanoid children who enact bloody revenge on anyone who has threatened their "mother." Cronenberg's first feature with name actors and composer Howard Shore has its share of gruesome moments, but the film's subtext--how emotional violence impacts a family--is its most chilling aspect.

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      11.08.2014 19:15
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      Highly recommended and higly price

      David Cronenberg. Hearing that name, it suddenly occurred to me directly poster movie Eastern Promises. Why should the movie? Because that's the only movie he is familiar to me, even though I myself had not had time to watch it (I'm not kidding). Anyway, cool posters, and therefore his image is still embedded in my mind. Okay, I will not further discuss the film, but Cronenberg's work in the early part of his career. Cronenberg is known as one of the directors producing films that have a biological term body horror or horror. As the name implies, this type of movie puts the body (human) as the trigger feel of horror. Viruses, mutation, until the laying of abnormal limbs are some examples of the issues raised in a body horror.

      Overview of the premise, The Brood looks like a horror movie that put the figure of a small child as a spreader of terror. Enough with the premise like that, I was immediately interested in eating this film. For some reason, horror movies with evil theme or disturbed child as the child has a special attraction for me. The Omen and Orphan are 2 examples of films that offer the theme and managed to attract my attention. Even rotten movie called Case 39 feels quite entertaining thanks to a slick performance Jodelle Ferland-the only actress with the most convincing acting there

      As a horror movie, I admit this film managed to deliver effectively eerie aura. Some scenes could make my hair stand on, especially towards the end of the movie scenes were quite astonishing. It's one of the best "what the fuck moments" I've ever seen. What scene? I'm not going to sell out spoilers, thanks. Feel the horror that is increasingly punctuated with music score Howard Shore filmed the Oscar-winning composer through his phenomenal work in the trilogy The Lord Of The Rings. The Brood be the beginning of sustained cooperation between Howard Shore with David Cronenberg.

      With all the components of interest, ranging from the manuscript, a row of players, to various technical terms, this film made ​​it into the list of my favorite films. Although the plot tends to be slow, all paid complete with an impressive overall execution. Highly recommended.

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      07.06.2014 20:44
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      A new kind of therapy.

      David Cronenberg''s the brood is a film about the concept of violence within a family and how it later affects the child''s life, it also tells us how frustrating it is when separated parents have to fight for the custody of their own child as Cronenberg himself was going through a divorce. Frank Carveth (Art Hindle)starts to question the treatment his wife Nola played by Samantha Eggar is receiving at the clinic of Dr. hal Raglan (Oliver Reed). Horrible things begin to happen as his daughter returns from a visit to her mother only to have some scars and bruises on her back. While Nola is in intensive care and is locked up at the clinic it seems that all her frustrations and rage manifest into these deformed creatures that act as a revenge from Nola towards her own mother and anyone that stands in her way. The film wasn''t as gory as Cronenberg''s other films but it definitely had a creepy and unsettling feeling that I had from watching it, it also had an intelligent storyline and it seemed more like a personal horror film then the sort of weird mixture of science fiction and horror that Cronenberg usually does so I definitely think that you should check it out as I thought it was great but not one of my favorites, my favorite of his would be Scanners. Note:- this region 2 anchor bay edition has both the U.S. uncut film and the U.K. cut version (this was useless) and the documentary The Directors: The Films of David Cronenberg Featurette, if you had to choose which version to get then I suggest you get this one over the inferior MGM edition

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      17.05.2014 01:10
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      • "intriguing and bizarre"
      • "Low budget"
      • Encouraging
      • "Well made"

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      • Horror
      • "Formulaic and predictable"
      • Boring

      A very decent little horror film.

      "The Brood" is a low, disreputable,or sleazy exploitation film, camouflaged by the presence of several well-known stars but guaranteed to nauseate you all the same.

      That''s after it bores you first. It''s about a scientist who may or may not be mad, and who runs something called the Institute for Psycho-Plasmics, and some of whose patients have the knack of creating clones of little kids and then controlling them with manic mind power.

      The clones are gestated in wombs outside the body, and they have no navels-which is always an alarming sign in enterprises of this nature. The good doctor''s institute (which somehow kept reminding me of Mel Brooks'' Institute for the Very, Very Nervous) is run as a sort of cult, with all the patients competing for roles in the communal psychodramas. Meanwhile, the clones are hidden away while the doctor tries to decide if he''s going to get the Nobel Prize or only a subpoena.

      The doctor is played by Oliver Reed, who is very good at projecting a sense of evil menace. His prize patient is played by Samantha Eggar, who must have read the script first, I suppose, and yet accepted it anyway, even though the film''s last moments have her snarling, licking up blood and otherwise seriously undermining her glamorous image. Do performers sometimes feel it''s noble to take hideously unpleasant roles?

      The movie, I mentioned, is a bore. That''s because hardly anything of interest happens until the last 15 minutes or so. Eggar''s husband is opposed to the institute, thinks she''s being kept a prisoner there, rants and raves a lot and finally breaks in. But otherwise there''s just a lot of coming and going and musing, as the music on the sound track hints darkly at the terrible things to come.

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